Posts in TWFTD
THIS WEEK FROM THE DESK

Sharp Type released what might be one of the most expansive type families we've seen in a while. Clocking in at a hefty 249 fonts, Sharp Grotesk is still packed with style. Check out the whole family on the new Sharp Type Site. 

"Swipe to change typefaces" is the instruction, but this interactive type specimen from Typotheque is all print, and amazing, and only 5 Euros. Such a big fan of this. Bought! 

New work alert: The always impressive Triboro Design form Brooklyn's latest branding work for contemporary French restaurant Sauvage is adventurous design with an artistic twist. View the full project on their site here. 

The latest independent type foundry to join with TypeNetwork is Newlyn, the brand-focused foundry created and manned by Englishman Miles Newlyn. Read the announcement here. 

Read this interview with John D. Jameson and his passionate niche in the type world. Type Specimens on the web are the future, and we all know they could be much more than they are now. Keep up the quest, John. 

If you want to talk about environmental type, few people have more fun with it than Paula Scher. Her team at Pentagram have created type that stretches the length of the the new 'boardwalk' at Rockaway Beach. See more of the full project here. 

Montreal based designers Olivier Charland & Cécile Garièpy have joined up to form Par Hasard, a new graphic design firm with a promising future in art direction.

Marc Valli & Amandas Ong have published a new book through Lawrence King on the return to simple means in illustration and art direction. The book is sadly already sold out, but it remains on the studio Christmas list anyway. 

The famed design studio Huge launched a new content department this week called Magenta, based primarily on Medium. It's set to champion the way people use and contribute to Medium for the design industry-centric mind. One of their first major articles published was an interview with Tobias Frere-Jones, and it is a good one. It's a typical "Day in the Life", but with lots of genuine insights from the man himself. Definitely worth the read, perhaps more than once. 

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THIS WEEK FROM THE DESK

The sophomore release from FJT, Retina, is an expansion and total re-engineering of the Retina family initally drawn for the Journal in the early 2000s. It's thorough, expansive, and a really great workhorse for broad text and tiny-number typesetting. Fast Co. also has a great interview with Tobias on the process here. 

One of the most intriguing part of this post actually, is the little sneak preview of Exchange—a seriffed face continuing the 'defensive typesetting strategy' of Retina due out in 2017. Can't wait!

An interesting read about the introduction of Movement and motion into the art of poster design via the AIGA.

OHno Type Co's Type Video for Vulf = On Point Font Marketing

An AIGA article on Women in typography popped up early this week, and although I wish they would have used more recent stats about type conferences (2016 TypeCon was almost exactly 50/50 in speaker representation.), and pointed to a few more recent female type designers currently in the industry (there are lots!), the article is very in depth and spurs on further reading into this important and timely issue. 

It’s not just women in the industry that need to feed their experience into work and use their position to readdress the status quo, but everyone across the gender spectrum.

I love the name, springing form "No Tofu", the affectionate term for that box that appears in place of missing glyphs (See video!).

Monotype and Google debuted their Noto collaboration this week which aims to have complete digital representation for every language and writing system out there. I don't know how many font families there are out there that have over a million glyphs, but I'm pretty sure this project will surpass that if it hasn't already. 

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THIS WEEK FROM THE DESK

James Edmondson at the helm of OHno Type Co released Vulf Mono this week, a monospaced family of four weights and italics designed for and with the band Vulfpeck. It's a real gem with undulating curves, vibrating crossbars, stark deep cuts, and even a set of musical glyphs. Plus, it's well priced and available to the public. If you were wondering how to get some character into your font menu, this is it. See and buy Vulf on the OHno site, or read more about the process in James' post about it on Medium. 

Vox indeed goes deep on the world of comic book fonts with some drool worthy printed pages. 

Playtype is fantastic, and this poster is proof that when type and design team up, good things happen.  Buy this on their site here. 

I'm still not sure how I feel about this 'swiss style' of graphic design. It lies somewhere between the Yale School of insanity and classic Robert Bringhurst. Nonetheless, this feature of Futur Neue's latest expression of graphic design is intriguing and worth a look see on It's Nice That. 

This subtle spread from French Designers BB Bureau floated past the desk this week via Ello, and it's a great conversation starter on the ideas of typography and magazine layout. It also lead me to learn of the existence of Kiblind Magazine, which is available to online some very nice spreads online. Wish I had known about this zine sooner. 

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THIS WEEK FROM THE DESK

It was announced this week that Dan Rhatigan has joined the team at Adobe. Congrats Dan! Read the interview with Typekit here.  Hope to see some amazing things coming out of Adobe soon, Dan. 

Nebiolo's 1960's masterstroke type family has been revived and updated for the modern context by David Jonathan Ross and Roger Black.  A beautiful revival with a beautiful site. Very cool to have another stylish variant on the "Neutral Sans" roster. 

This fascinating video and accompanying story (via Eye Magazine) crossed by the desk this week and its mesmerizing. To sell upholstery fabrics, upholstered shapes were dropped and captured on high speed. Simple and fun. Although it's from 2010, it still ignites some creative sparks.

I've always been a fan of Gratuitous Type. Do pick up a copy of the latest issue. It's fun.  

I've been slowly working my way through these videos to catch up on everything that happened at ATypI in Warsaw this year. See all the videos available here. 

A fascinating in-depth look into Rosetta's latest type additions to Neacademia. It's a good study of pen, historical printing, and legible types of old. I hope this sells big, I'm intrigued about how classical printing type revivals perform in today's sleek-sans digital type market. How crazy is that Small Text zzo lig? 

Print Magazine released a list of 7 new and exciting typefaces recently released. Its a good list featuring work from HvD, Nina Stoessenger, Shiva Nallaperumal, Maria Doreuli, and Roxane Gataud. Check it out here. 

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THIS WEEK FROM THE DESK

ATypI is underway in Warsaw, Poland this week, and right out of the gate there was some earth shattering news for the font industry: Variable Fonts. Open Type Variable Fonts are the collective promise of the industry's future on the web. Through an unprecedented level of collaboration of big players like Apple, Google, Adobe, and Microsoft, Variable fonts will allow for entire families to be packed into one font file for faster rendering online and new forms of expression through type in design. There's still lots to read about and learn about this new format, but it is going to be very exciting. Read John Hudson's release details here. 

Studied, crafted, and sharp, Greg's first release—Robinson—with Commercial Type went out this week. Great work, Greg, I look forward to seeing how this is used out there in the real world. 

Lucas Sharp debuted his new foundry Sharp Type on Village this week, with the headliner being Sharp Sans—the public version of the type he developed for Hillary Clinton's election campaign. It's extensive, with lots of hidden alternate character gems. Check out the extensive write up and buy on Village.

An absolutely fantastic short read on the power of design from the New York Times Magazine, with a special focus on Design's role in the "recent bathroom kerfuffle". Share this with your friends. Design is an understanding that can be harnessed by everyone for better. 

Loving the typographically focused identity for Teatro Donizetti, based in Bergamo, Italy. Way to get a third color from the paper. Read and see more on It's Nice That. 

 

 

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THIS WEEK FROM THE DESK

Every once in a while, the conversation on emojis gets stirred up again. This time, it's Microsoft's turn, releasing their new approach to Emoji's, designed by Always With Honor.

It's refreshing to see some new and fresh approaches to emojis from Microsoft, especially their new family maker feature... Lots of info worth checking out on both the Microsoft blog and AWH site. 

Newly Crowned by Print Magazine's 15 under 30, the Yarza Twins have been on everyone's radar including ours. Batavier, their latest type revival is an interesting study in uncovering a quirky display face from history and raising it to make a statement in today's font landscape. 

This is a detailed yet interesting read from Richard Fink on the case of wether webfonts are good or bad. (via A List Apart.)

Type Pin Type Pin
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We put the new Type Pins up in the Badson Shop this week. Handsome, Smart, Nerdy... type nerds, rejoice! 

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